MTV's The Urge recently sat down with one of my favorite acts, Explosions In The Sky, for an in-depth interview focusing on the formation and recording process of their epic tunes, Friday Night Lights, and their curious love of hip-hop. Here's some snippets from the full transcript:URGE: In terms of the writing and recording process, how do these songs come together? On one hand, they're incredibly precise, but there's also a very organic, loose feel.
Chris Hrasky: We don't have a very good process of "Here's how we do it." It's a lot of trial and error. This album took quite a while to do. We spent six months working on it and wound up throwing it all away. It can be fairly arduous. There are certain patterns where we do one thing that leads to another, but typically, it's fly by the seat of our pants.
URGE: So then, if writing can be squeezing blood from a stone, what's the recording process like?
Hrasky: We mostly record live, and that has its own set of problems. You'll be playing an 11-minute song and you get to the eighth minute, and you start thinking, "F**k, don't mess this up." And we screw up a lot. I mean, some of these songs are hard to play! There are flubs everywhere on albums. We just try and use the more charming mistakes, but we're dedicated to recording live. We might overdub tambourines or something, but we really try to keep it as us in the room, and that can be kind of scary.
URGE: Is there any kind of razzing that goes on if the same guy keeps screwing up a take?
Hrasky: Hah -- not really. We're getting better at it. You get in a sour mood after the sixth take. Then you gotta get a pizza or something. You can't get mad. We all screw up. There were points on this album where I simply could not play the drum parts. You get to a point where you're on whatever take and you just know you're gonna screw it up.
URGE: You've talked about how the expectations are tangible now. Ever since Friday Night Lights, people probably associate certain songs with a paraplegic football player. Have you had to let go of some of your personal relationships with these songs? In a larger sense, do these songs have meaning to you guys? Are they about something?
Smith: In terms of people equating things to Friday Night Lights... that's always been a tough decision for us. We don't want, in five years, for people to say, "Oh, that's the Friday Night Lightsband." That's not why we wrote those songs.
Hrasky: We have a song in a car commercial. I'm completely embarrassed by it. The only reason we did it was financial security. It was a time when it was kind of necessary to get some help, but that was really hard. My parents will call and say, "We saw the commercial again!" They're parents, they get excited, but I don't even want to see the thing. We just sold it. There's nothing beyond that. We did it for money and it sucks. At the same time this is our job now. You do start thinking about if you get married or have kids, then the band has to support that. So, we're only just coming to terms with the idea that this is what we do.
URGE: But with the TV show, there definitely seems to be a pretty complimentary relationship between the music and the narrative it's scoring.
Hrasky: I make a huge distinction between the commercial and the show. I haven't actually seen all the episodes of the show, but it's been pretty acclaimed critically. I don't have the same guilt with the show; I just don't want to always be associated with it. And up until now, that hasn't happened. We haven't had that at all, and it has introduced our stuff to tons of people who wouldn't have [previously] listened.
URGE: You're heading out on tour, and I noticed there are few alternative venues, not just rock clubs, listed as destinations. You guys certainly don't seem to do the Sigur Ros thing where you only play, like, cathedrals filled with ice sculptures.
Hrasky: [laughs] Right. We're not playing the New York Public Library. We're a band. We totally love playing different places, but for the most part, we play wherever people want us. We'd like to play more offbeat places. I heard Arcade Fire is playing five nights in a church in New York ... we don't have that kind of clout yet! But I like it when bands do that kind of stuff. I saw Low once play at the Johns Hopkins Library in Baltimore, and that was incredible.
URGE: The band has a really cohesive, singular sound, but what are your individual tastes as listeners like?
Hrasky: Well, the record we all love is Sunset Rubdown. It's the solo record from the guy from Wolf Parade. That was my favorite album from [2006].
URGE: Do you listen to much music that sounds like Explosions in the Sky?
Hrasky: I like Mogwai. I don't listen to them that much anymore, but they're a huge reason why we exist. It's funny though, none of us are really that into Mogwai or Godspeed You Black Emperor. None of us listen to that much instrumental stuff -- weird composers here and there, but not a lot of stuff that you'd think as influences and our sound.
Smith: I've been listening to a lot of Clipse recently. That's the best record I've heard in a long time. I listen to a lot of hip-hop, but that's really a cut above.
*See the entire interview here!
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