Mew & Oh No! Oh My! @ Irving Plaza 3/22: Comforting Sounds

Matt: After the teases Jen and I both received while witnessing the live spectacle that is Mew for their brief half-hour set with Bloc Party last summer, and their succinct 45-minute set with Kasabian this past September, it was beyond exciting to hear the band was headlining their first US tour and actually playing a complete show. The Irving Plaza gig last night highlighted tracks from both of their releases, Frengers & And The Glass Handed Kites and was 80 minutes of sheer euphoria.

Mew's unique blend of post/prog/straightforward and every other genre of rock give the Danes a distinctly recognizable sound as well as a galaxy of authenticity. It was reassuring to see that despite three trips to North America over the last nine months, frontman/guitarist Jonas Bjerre is still as shy and stoical as the band's first visit. The juxtaposition between the band's soaring melodies and Jonas' introverted stage presence is magical, I must say. I can almost picture Jonas, with his captivating voice, auditioning for Danish Idol (yes, it really exists) and having that modest grin on his face upon the judges telling him he is amazing. Although, I'm sure his good looks alone would take him into the finals.

Mew's usual shtick (a la their backdrop featuring all sorts of creepy images) was in full effect last night. Cats, giraffes, intense neon light beams, line drawings, you name it and it was probably on the screen behind Mew. Probably the most well-received tracks of the night were 'The Zookeeper's Boy' and the set-closing 'Comforting Sounds'. The latter of which swelled into one of the best live tracks I may have ever seen live before. 'Comforting Sounds' is an epic 9-minute tune that only increases in perfection as the end nears. A fantastic song to close the show!

Still want to learn more about Mew, or are just curious as to what Jonas is like in an interview? Check out Jen's '8 Questions With' Mew from August. I may be a tad bit biased, but Jen conducted a fabulous Q & A with Copenhagen's finest vocalist.

Setlist: Circuitry Of The Wolf/Chinaberry Tree/Am I Wry? No/156/White Lips Kissed/Behind The Drapes/She-Spider/Apocalypso/Saviors Of Jazz Ballet/The Zookeeper's Boy/Snow Brigade/Louise Louisa//Special/Comforting Sounds

Jen: Oh No, Oh My are really funny. No seriously they are, like, hilarious. The first time Matt and I saw them over CMJ, they were a riot. Not so much last night though. I chalk it up to them being a wee bit nervous in front of the expansive crowd. There was a small group up front of well-wishers and fist-pumpers that continuously shouted out songs, which was nice.

ONOM are...innocuous. A band more fun to see in a small space than a large venue. Their music is twee and some songs, especially drummer Joel's 'I am not a monster' would fit well along side any Boy Least Likely To track.

Their one shining, standout track is the lovely summertime tune, 'Walk in the park.' It's happy, lovely and invokes great imagery of walking barefoot through your lawn on a hot day. It again has that skippy, airy, folk BLLT sound, but with the advantage of a catchy melody.

Irving has the problem of a generational gap. The crowd tends to part the sea with 16-20 year olds on one side and 30 plusers on the other. With the relatively high ticket prices and the low admittance age, many struggling twenty-somethings tend to avoid Irving, always making for an odd mix of people at the venue.

Therefore last night saw a great divide of hardcore high schoolers up front singing all the words and the older crowd hovering around the fringes, nodding their heads. We were somewhere inbetween.

Mew's music is dense (like plum pudding not George Bush). What comes at the audience is a wall of sound with ominous drums and layers of singing over crescendo guitars. Throughout last night's set, I tried to put my finger on what the sound of Mew actually reminded me of. For an hour I alternated with 80's hair band ballad, Guns and Roses 'November Rain,' Sigur Ros and 90's grunge. What I came up with was that Mew is all of the above. They combine the best of these efforts together to make a sound completely all their own- the 'November Rain' guitar solo with the vocals of Sigur Ros over it, White Snake mixed in with Kurt Cobain. But mostly, what you find is that it is all Mew, a shy boy from Copenhagen leading a band of punky Danes playing music with a passion.

MP3: Mew - The Zookeeper's Boy